Feb 24, 2010

Posted by taryn | 27 comments

Why I Dig Power Chicks in Hollywood

Why I Dig Power Chicks in Hollywood

I’ve been hesitant to write a blog on this topic, mostly because I don’t want to come off sounding like some whiny, ungrateful, bra-burning feminist in Hollywood.

BUT…

When the article about Barret Swatek and I came out in Script Magazine last month (see the  Web Innovators article below), I was pleasantly surprised. Not only did they decide to profile two women, but two women who choose to act in their material.

Now I don’t know about everyone else, but whenever I’m in a pitch room, I always tiptoe around the acting part. In the past, it’s the first thing I’ve been willing to give up in the deal making process. Not because I don’t want to be in front of the camera, but because subconsciously I’m hoping that giving up the acting will allow me to be perceived more seriously as a writer/producer.

Now I’ve never met Barret Swatek, but after talking to some of the other female actress/writer/producer/web creators out there, I’m fairly confident that we would have more than a few things to bond about over margaritas. It’s called What’s Your Story? How I Fight The Actress/Writer/Producer Stigma. I’m sure the conversation would make a decent one hour companion piece to Inside the Actor’s Studio.

Tina Fey broke the mold on a macro level by creating, and starring, in unconventional TV and feature comedies. On the unscripted side, Chelsea Handler, Kathy Griffin, and Tyra Banks have redefined the traditional talk show model. And in the dawn of the ‘Content Creation Age’, we have seen a totally new femme fatale emerge.

She knows how to write, produce, and act. She knows how to location scout, wield an HVX, and export quicktime files for different media players. She knows how to market via multiple distribution platforms and how to interact with her audience. And she knows how to do this for pennies on the dollar. Who is she?

Her name is Felicia Day. And Casey McKinnon. And Shira Lazar. And Brigitte Dale. And Taryn O’Neill. And there are many more.

Just one day, I’d like to invite them all over for a sleepover. OMG. To be able to discuss camera lenses, distribution platforms, and wordpress templates all in one night! (It’s no secret that my biggest crushes are on chicks who know how to write their own jokes and code their own websites.)

These women do it all. And yet, I wonder if they feel the same way I do. Do they ever feel they have to compromise that perfect role in order to run the ship?

P1090244 copy 540x359 Why I Dig Power Chicks in Hollywood

I find myself facing a similar comment, over and over – “How smart of you – to produce and write your own material so that you can cast yourself as the star!” The notion that I’m merely creating something so that Taryn the actress can quietly slip onto the screen…it makes me cringe.

I can’t deny that there is a growing trend in all of this actress/writer/producer stuff. There is a quiet rule in Hollywood – if you want to get a project made, attach a star by offering them a vanity producing credit. This practice has dramatically increased with the rise of independent films – you want an expensive actor for much less than their quote? Offer them a coveted “Producer” credit! Hooray! Deal done.

Everyone wants to feel valued (actors probably more than anyone), so it’s no wonder they jump at the chance to prove that they’re not just showing up to set and lending a pretty face.

The problem occurs when these actors don’t actually do anything.

While there are some who perform real producer duties, those who don’t simply propel a stigma that actors can’t actually be valuable as writers or producers as well.

Now here’s where I hate to be presumptious, but I feel like this unfortunate view is applied more to women than men. Perhaps because women actresses, on average, have less Hollywood leverage than males. (It’s a fact that male stars bring in more at the box office than females.) Or perhaps because men have a longer history of writing, producing, and starring in their own material. From Charlie Chaplin to the Wayans Brothers – dudes have been at it for awhile. Though more and more women are emerging as creative powerhouses, the numbers are far less.

Regardless of who gets the shit end of the stick, this has been a source of frustration for me. Everytime I create something new, these are the three thought points that consistently run through my head during the pitch process:

1. I must prove that I am not a fraud. While this fear may very well stem from some stupid but clearly crucial moment of past insecurity (i.e. getting booted off American Idol or losing the 8th Grade presidential election to a kid who moonwalked in lieu of an actual speech), the point is: my fear exists.

And so, I embark on trying to prove to you (the studio exec, the prospective director, the actor I want to attach, etc) that I do have skills as a writer/producer. If I am pitching you, this may include: demonstrating my knowledge of three act structure, the legalities of content ownership, optimum export settings for video, blah blah blah. Ready to kill me yet? I know, I want to kill me too.

Why must I feel the need to make sure the person sitting on the other side of that desk knows, that I know, of all things, how to chroma key??

If I am successful in proving #1, then I move onto #2:

2. I must convince everyone on set that I’m not a typical female control freaks. Truth is, I can be quite, err, Type A…but I’m aware of the fine line between leader and bitch. This means trying my hardest not to sound “bossy” and then ordering cupcakes for everyone on set to prove that I’m sort of cool. WHAT?! Males don’t do this nonsense.

3. I must prove that I love the story more than the act. In other words, I’ll sacrifice my on-screen role. The truth is, it is more important for me to tell a story that I care about than fulfill my desire of acting part of it out. But I also shouldn’t have to diminish my passion for acting in the process. In an effort to prove my writing/producing abilities, I wind up selling myself short in the on screen department.

Ok. So I’ve accomplished #1, #2, and #3. Now I can pitch you my brilliant idea.

GRRR! I’m obviously frustrating myself with my silly mental song-and-dance routine. Is it just me, or do other actress/writer/producers feel they have a similar need to diminish their in-front-of-the-camera passions and abilities to be taken seriously as a writer/producer? Do men experience this??

I’m curious to know everyone’s thoughts. Does it diminish a writer or producer, in your eyes, if she is simultaneously acting in her own projects? And for those of you out there who “do it all” (MALES AND FEMALES) and don’t want to sacrifice any part of the process, do you find yourself feeling less-respected in one area than another?

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Feb 22, 2010

Posted by taryn | 0 comments

Web Innovators

Web Innovators

In the craziness of the new year, I completely forgot to post this article that Script Magazine ran last month on myself and actress/writer Barrett Swatnek. I’ve been an avid reader of Script since I started writing in LA, and was incredibly excited that they wanted to write a profile piece on web series creators and the growing industry for writers in new media.

Web Innovators Article in Script Magazine 1_10

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Feb 18, 2010

Posted by taryn | 1 comment

A Hamster To Brighten Up Your Day

A Hamster To Brighten Up Your Day

This is Bart, my roommate. He’s got quite the set of pipes! Last night he was belting Barbara Streisand tunes to his raisin.

20148 712062129727 10603417 40975061 2056609 n 540x304 A Hamster To Brighten Up Your Day

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Feb 14, 2010

Posted by taryn | 6 comments

Happy Valentines Day!

Happy Valentines Day!

I love Valentines Day.  Regardless of my relationship status on any given year, the Day of Love has always provided me with the perfect excuse to send people cutesy puppy/kitty cards, pink cupcakes, and chocolate hearts. Basically all the stuff that I love year round.

In honor of VDay this year, I asked my friends on twitter and my blog what their plans were. Here are some of my fave responses on Twitter and in comments:

alalcoolj I plan to take that special someone to the zoo, and feed baby ducks, to the baby lions.
kmohr25 Pampering my hamster of course!
Mathieas My Father has been in the hospital since Thursday so yesterday I ordered a present for my mom in his name.

Lewis Grove said on February 10th, 2010 at 12:14 am - I currently live in Ohio, We are getting hit by massive amounts of snow. Saturday I will scrap off the truck and get suited up to drive 40 minutes to pick my lovely woman up. The first night will be spent watching movies and ordering a pizza in. On Sunday, (Weather Permitting) We plan to have a frigid picnic in dawes arboretum  http://www.dawesarb.org/. This is a significant spot for us, we have spent countless days and nights here.

katie said on February 11th, 2010 at 6:17 pmI will be locked away studying for the California Bar Exam. When I get home, I will be tweeting with all my Twitter Valentines,sending cyber hugs and kisses to all my Tweeps! I find time to pick up the little cupcakes, should I be lucky enough to win!

Whether you’re studying for the bar exam or eating an icy picnic meal, I hope you all have a lovely VDAY! Brace yourself for hearing my raucous VDay plans: last night, I made a four-berry tarte from scratch.
65729947 540x405 Happy Valentines Day!
IMG00006 20100213 2057 540x405 Happy Valentines Day!
I will be eating my tarte, making a video with my hamster Bart, and reading 3 pilot scripts. WOO HOO!
xoxo and Happy Birthday to Kara, my lovely Valentine’s Baby sister!
Taryn
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Feb 10, 2010

Posted by taryn | 10 comments

The Search for Katie

The Search for Katie

An open letter to my blog readers:

Eight months ago, my friend Liz received an email from her sister Katie, to the effect of: “I need your help. Some advice. Can we meet later tonight?” Liz immediately responded and made plans to meet Katie at their favorite nearby coffee house three hours later.

Katie1 540x820 The Search for Katie

Only Katie never showed up. It’s been eight months, and Katie is still no where to be found.

I’ve known Liz (casually) for two years, since we met on a film shoot, and I had no idea all of this had transpired. The mysterious loss of her sister has been devastating.

I have a sister – also younger – and I know I would be SICK if I was in Liz’s situation. It’s one thing to lose someone, it’s a whole other thing for them to just…go missing. I DO know, however, that I would do whatever it takes to get her back.

Now, I’m trying to help Liz. We have strong evidence that her sister was heavily involved with a very private organization known as the Young Artists Co-Op (or YAC). Since the disappearance, the Y.A.C. has been curiously quiet about their former relationship with Katie. They have been no help to Liz, and if anything, a hindrance to finding her.

I have tried contacting the Y.A.C. myself, but there is no phone number on their website, no address. Just an email. So I’m asking you all now – as friends in the LA community and at large – if you know anyone in this organization, any information you have would be incredibly helpful. Pass the word along. Comment on the post. Make video responses. I need to make noise about this if we have any chance of finding out what happened to Katie.

Sincerely,

Taryn

***If you just found this blog post, please note that it is FICTIONAL, written solely for purposes of a film I’m shooting. Please see the above post (Role in My Movie).***

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